Dressing The Screen Exhibition Identity
Roma Lazarev & Co ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2015 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱟᱹᱰᱤ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Best Design Russia ᱨᱩᱥ ᱨᱮᱭᱟᱜ ᱱᱤᱛᱚᱜᱟᱜ ᱠᱟᱹᱞᱟᱹ, ᱵᱷᱟᱹᱞ ᱱᱚᱠᱥᱟ ᱟᱨ ᱢᱟᱨᱟᱝ ᱥᱛᱷᱟᱯᱚᱛᱭᱚ ᱩᱫᱩᱜᱟ. ᱨᱩᱥ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱟ ᱱᱚᱠᱥᱟ ᱟᱨ ᱱᱚᱶᱟ ᱥᱮᱨᱟ ᱠᱟᱹᱢᱤ ᱛᱮᱭᱟᱨᱤᱡ ᱦᱟᱦᱟᱲᱟᱜ ᱱᱚᱠᱥᱟᱠᱟᱨ, ᱠᱟᱹᱞᱟᱹᱠᱟᱨ, ᱟᱨ ᱥᱛᱷᱟᱯᱚᱛᱤ ᱠᱚ ᱯᱟᱱᱛᱮ ᱯᱮ.
ᱜᱨᱟᱯᱷᱤᱠ ᱴᱮᱜᱽ ᱧᱮᱞ ᱢᱮ. ᱥᱮᱨᱟ ᱨᱩᱥᱤ ᱱᱚᱠᱥᱟᱠᱟᱨ ᱟᱨ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱜᱨᱟᱯᱷᱤᱠ ᱛᱷᱚᱠ ᱨᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱡᱤᱛᱟᱹᱣ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ, ᱯᱨᱚᱠᱚᱞᱯᱚ ᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ.
Roma Lazarev & Co ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2015 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱟᱹᱰᱤ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Alexander Kirzhbaum ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Alexander Kirzhbaum and Tatyana Farba ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Alexander Kirzhbaum ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Pit Palmer Branding & Identity ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2015 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
12 points ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2014 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Dmitry Mordvintsev ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2024 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Mike Amirov ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Andrey Brokhman ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Mikhail Puzakov ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Anton Mikhalenkov ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Dmitry Kudinov ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
12 points ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
12 points ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2014 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Daria Kwon ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
CBI Pioneer ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Kirill Semenovich ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
12 points ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Kir Khachaturov ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2014 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Anastasia Smyslova ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2014 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Oxana Paley ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2014 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Anton Mikhalenkov ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Anastasia Smyslova ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Sergey Osokin ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱨᱩᱥᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
ᱨᱚᱝ ᱛᱮ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢᱠᱟᱱ ᱰᱤᱡᱟᱤᱱ ᱠᱚ ᱠᱷᱚᱡ ᱢᱮ᱾ ᱡᱚᱛᱚ ᱰᱤᱡᱟᱤᱱ ᱵᱷᱟᱜ ᱨᱮ ᱡᱩᱨᱤ ᱛᱮ ᱡᱟᱪ ᱟᱠᱟᱱ ᱠᱨᱤᱭᱮᱴᱤᱵ ᱠᱟᱹᱢᱤ ᱠᱷᱚᱱ ᱨᱚᱝ ᱯᱮᱞᱮᱴ, ᱨᱚᱝ ᱥᱮᱢᱯᱞ ᱟᱨ ᱪᱤᱛᱟᱨ ᱥᱚᱨᱥᱟ ᱠᱚ ᱧᱟᱢ ᱢᱮ᱾
Hues ᱧᱮᱞ ᱢᱮᱰᱤᱡᱟᱤᱱ ᱮᱡᱮᱱᱥᱤ ᱠᱚ, ᱥᱴᱩᱰᱤᱭᱚ ᱠᱚ ᱟᱨ ᱠᱨᱤᱭᱮᱴᱤᱵ ᱠᱚᱢᱯᱟᱱᱤ ᱠᱚ ᱢᱩᱞᱭᱟᱸᱠᱚᱱ ᱟᱨ ᱛᱩᱞᱱᱟ ᱢᱮ᱾ ᱡᱟᱪ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱟᱨ ᱵᱮᱥ ᱜᱩᱱ ᱛᱮ ᱨᱮᱴᱤᱝ ᱧᱟᱢᱠᱟᱱ ᱥᱮᱣᱟ ᱮᱢᱚᱜ ᱠᱚ ᱧᱟᱢ ᱢᱮ᱾
DBI ᱧᱮᱞ ᱢᱮᱟᱢᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ A' Design Awards ᱨᱮ ᱡᱚᱢᱟᱭ ᱢᱮ, Best Design Russia ᱨᱮ ᱛᱟᱹᱞᱠᱟᱹᱭᱚᱜ ᱢᱮ ᱟᱨ ᱜᱚᱴᱟ ᱡᱮᱜᱮᱛ ᱨᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ.
ᱟᱢᱟᱜ ᱵᱷᱟᱹᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱞᱟᱹᱜᱤᱫ ᱱᱤᱛᱚᱜ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ